Rollei Superpan 200 vs Kodak T-Max P3200: Which B&W Film?
By Austin Camera | Published: 2026-11-03
Category: Vergleiche
Compare Rollei Superpan 200 and Kodak T-Max P3200 for high ISO black and white film. Learn how their speed, grain, and infrared sensitivity affect low light and everyday shooting.
Quick answer
Choose Kodak T-Max P3200 when you need the highest speed for handheld low-light work, and choose Rollei Superpan 200 for a versatile ISO 200 film with near-infrared sensitivity that cuts through haze.
Speed and exposure: ISO 200 vs a pushable ISO 800 film
Rollei Superpan 200 has a nominal sensitivity of ISO 200/24°, making it a straightforward choice for daylight and bright interiors. Kodak T-Max P3200 has a nominal speed of ISO 800, but the 'P' means it is designed to be pushed to higher speeds, so it suits dim venues and fast action where you cannot use flash. That extra speed comes with a trade-off: pushing increases contrast and grain, and you will need to develop accordingly.
Grain and tonality: what to expect from each film
Because T-Max P3200 is an ultra-high-speed film, its grain is more pronounced than a slow or medium-speed film like Superpan 200. That grain can add atmosphere in low light, but it may not suit scenes where you want smooth tones. Superpan 200, at ISO 200, generally offers finer grain and richer midtones in normal lighting. Neither film is a 'clean' ISO 100 film, so choose based on the light you shoot in rather than expecting identical results.
Special sensitivity: near-infrared and haze penetration
Rollei Superpan 200 has expanded color sensitivity into the near-infrared range, which helps it penetrate haze, fog, and other atmospheric conditions. That makes it a practical choice for landscapes and aerial-style shots where clarity matters. Kodak T-Max P3200 does not list infrared sensitivity in the supplied facts, so do not expect the same haze-cutting effect. If you want to experiment with infrared filters, Superpan 200 is the more suitable starting point.
Key trade-offs
- Speed vs grain: T-Max P3200 gives you the speed to shoot in dim light without flash, but its ultra-high-speed design produces more grain than Superpan 200. Superpan 200 stays cleaner at ISO 200 but needs more light or a push. If grain is a concern, rate Superpan 200 at ISO 200 and use a faster lens or tripod instead of pushing.
- Everyday versatility vs specialized sensitivity: Superpan 200's near-infrared sensitivity helps cut through haze and fog, making it useful for landscapes and aerial work. T-Max P3200 lacks that feature, so it is less effective in those conditions. For infrared experiments, start with Superpan 200 and an appropriate filter.
- Development planning: T-Max P3200 is designed to be pushed, so you will need to adjust development times for the speed you expose at. Superpan 200 is more forgiving at its nominal ISO, but pushing it will also require development changes. Decide your exposure index before you load the roll, and develop accordingly.
Product facts
- Rollei Superpan 200 Black and White - 35mm Roll Film - 36 Exposures: Rollei Superpan 200 is a high-speed black and white negative film with a nominal sensitivity of ISO 200/24°. This makes it a reliable everyday film for daylight and bright conditions without the need to push.
Rollei Superpan 200 Black and White - 35mm Roll Film - 36 Exposures - Kodak Professional T-Max P3200 Black and White Negative Film -35mm Roll Film - 36 Exposures: Kodak T-Max P3200 has a nominal film speed of ISO 800 but is designed to be pushed to higher speeds. You can shoot handheld in very low light, though you must plan for increased grain and contrast.
Kodak Professional T-Max P3200 Black and White Negative Film -35mm Roll Film - 36 Exposures
Which film is right for you?
Best for
- Handheld street and night photography where you cannot use flash
- Dimly lit venues and fast action
- Photographers who want a pushable high-speed film with character
Not for
- Scenes that require fine grain and smooth tonality
- Infrared or haze-penetration work
- Shooters who prefer a simple ISO 200 film without pushing
