Revolog 600nm 35mm Special Effects Film

I’ve been shooting a roll in bright afternoon light and the blue-green cast on the overexposed frames is honestly gorgeous, like a moody teal filter I couldn’t replicate in editing. Underexposing a few shots gave that deep red shift, so the monochrome tint really does swing with your settings.

The reddish tint I got from underexposing a few frames gave my street shots a moody, almost vintage feel. Takes a bit of trial and error to nail the blue-green look, but the results are worth it.

I love playing with the exposure on this film—it's fun seeing the same scene shift from a warm reddish glow to a cool blue-green. The way the colors change depending on the light gives every shot a unique, unpredictable feel.